About

Image of Emily Peacock. Woman smiling at camera while digging archaeology.

My name is Emily Peacock, and I am an academic researcher affiliated with the Trafficking Transformations project which is funded by the European Research Council.

My background is in Classical Studies and Roman archaeology, and I specialise in the international trade of cultural goods. My focus is on the trafficking of cultural and natural resources, including antiquities and fossils. I am interested in the values attached to heritage, and how such values change as objects move through the international market.

Pre-owned Past is where I share my thoughts on the trade for ‘old’ things living a second life on the contemporary art market.

Featured On

Save Ancient Studies Alliance

Port Ancient

Council for British Archaeology

Festival of Archaeology 2024

Yellow and purple image of a collection of antiquities for sale, including ancient Greek and Ancient Roman vases, gold, and pottery for sale by an antiquities dealer
Yellow and purple image of a sign in an antiquities dealer shop stating legal authentic metal detected finds for sale, as well as Roman coins
Purple and yellow image of a T.rex skull facing the photographer. Tyrannosaurus Rex.
Purple and yellow filtered image of a sign saying 'wearable Roman Ancient Rings' alongside ancient Roman coins and pottery for sale.

Blog

The market for Cultural Heritage is diverse and international, covering everything from exclusive high-end art exchanges in Paris to the illegal harvesting of succulents to be trafficked out of South Africa.

My focus is primarily on the last stage of the trade: the final sale of cultural goods. I am particularly interested in the motivations of both buyers and sellers at this point. While the high-end market has been studied extensively, I find the often-overlooked lower-end markets equally interesting.

In this blog, I share my insights and opinions based on my research and interactions with other academics and market participants. These are my personal views and aim to provide one perspective on the complex world of cultural heritage trading.

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